The Method is the how: the set-up, the introduction and the exact words that make process art work with 3 to 6 year olds, without the mess, the meltdowns or the dread.
“…it has really changed our program for the better.”
Bianca, studio owner and teacher, PerthNothing is charged. The lessons are yours whether you ever buy or not.

It looks lovely. So does every other activity out there, because they all look the same.
A sample to copy, a template to follow, and children who are told what to make instead of making.
Paint everywhere. Half the room wandering. Someone in tears. It is loud, it is overstimulating and it is all too much.
In the end you decide not to do it any more. And the art those children could have had never happens.
Studio owners, teachers, kinder and centre educators: most of us were never shown how to run art with young children. We were handed a room and a Pinterest board. Nobody told us what to say and what to do.
This is genuinely the hardest age to teach art to.
It turns to chaos before it turns to learning, unless you know how.
The Method is the how.
I know, because I have made so many mistakes and cried so many times. The first session I ever taught in my studio ended with me sitting in my car, crying. Overwhelmed, overstimulated, chaos from start to finish. What changed everything was not talent, and it was not ten more years in the room. It was learning that it comes down to three levers: how you set up the materials, how you introduce them, and how you bring the children into the lesson. They are capable, even at three. It is just how you do it. That is what I have written down for you.
You will also learn the one thing I have used in my own studio for four years to hold a room of three and four year olds through a 90 minute session. No yelling. No behaviour charts. No stickers. None of that.
“I have always found art really stressful. I wanted to understand process over product, but in a world where everything has to be perfect, I did not know where to start. It is so nice to learn to slow down as an adult and actually enjoy the process with the kids. What they create is incredible. This has honestly been life changing.”
Bianca, studio owner and teacherYou are here because you want to make a difference.
You are ready to level up your learning. You are ready to level up the way you teach. And you are ready to help the children you are with every single day.
This is for you.
What you work towards, and what educators using the Method tell us.
One set-up, the same every time, so the mess has a place and you stop bracing for it.
“As someone who LOVES art but always dreads it because of the mess, I am finding [the Method] really easy to follow and I have started taking baby steps to do more art with my preschoolers.”
Educator using the Method
No example on the table, one sentence to begin, and a story for every material.
“The way I have started to introduce every material with a background story has really changed how I teach my class of 3 year olds.”
Reggio-trained teacher, Spain
The words to say, in order, from the moment they sit down to the moment they share.
“I have had the best 2 weeks teaching my pre K’s! Introducing the materials and setting up the environment. THANK YOU!!”
Pre-K educator using the Method
The sentence for that moment, written out, so you are never inventing it in front of the room.
“All I can say is thank you for changing my perspective on what is possible with 3 year olds.”
Educator using the Method
Practical, usable the next morning, not a certificate and a folder.
“I have been to so many teaching days, this is nothing like that. You actually get practical tips and learn how to teach.”
Educator using the Method
No example on the board. No adult finishing it off at the end.






You have the ideas. This is the part nobody taught you: the set-up, the introduction and the exact words.
I did not get good at this by becoming more talented. I got good when I learned what actually decides a session. There are three levers, and every one of them can be learned.
The set-up decides the session. What is on the table and what is not, where the materials sit, what you do before a single child sits down. It is why one session holds and another tips over.
How you introduce a material decides how children use it. Teach it like a story and they hold it, explore it and look after it. Hand it over cold and the table gets away from you.
How you bring the room in decides whether you keep them. The words you use, in the order you use them, from the moment they sit down to the moment they share.
Every word of it is written down in the Method, so you are never guessing.
You have the Pinterest ideas. But when the materials come out the room tips into noise, and you are managing it instead of teaching it.
For you this means: how to set up and introduce each material so the room stays with you, and the words to say, every time. It can count towards your PD (check with your service).
Art is the lesson you are handed with a full room, no plan and twenty minutes to fill.
For you this means: a rhythm that holds with a full class, and scripts so you are not inventing the lesson at 8:50 in the morning.
You want genuine creative development in your room, not just busy hands. Engaging the whole group is the hard part.
For you this means: one method your whole room runs the same way, with every word written down, so it survives staff changes and hard weeks.
Art looks different in every room, and it depends on who is on.
For you this means: one shared method for your whole site, one licence for every educator who teaches there (the studio licence covers every educator at your site; for a team of ten that is around $150 each), and a certificate you can count towards your PD.
You can teach it yourself. Getting every educator to run a session that is engaging and fun, without chaos, is the harder problem.
For you this means: one licence for every educator at your studio (any number at one site; for a team of ten, around $150 each), the leadership module, and the sheets that keep everyone teaching it the same way, so parents see the same session whoever is on.
If you nodded at any of those, you're in the right place. If you want a craft pack that tells children what to make, this is not it. If you want to know how to run the room, keep reading.
Thirty four recorded lessons, every word written first and then spoken, so you can learn the way you actually have time to learn. Forty five if you take Studio.













You do not need another training day. You need the set-up, the introduction and the words. Start listening on the drive in tomorrow.
Art was never the point.
The child who believes they can try is the point.
Everything in the Method started in a real studio. The research is why it holds up.
Carol Dweck's research found children praised for effort were more likely to choose harder challenges and keep going after a setback than children praised for being smart.
In the Method: the sentence is written for you.
A study following children from school entry found fine motor skill predicted later reading and maths.
In the Method: the materials, in order, build the grip before anyone is asked to write.
Harvard's Center on the Developing Child says focus and self-control are built through practice and responsive back-and-forth with an adult.
In the Method: a predictable rhythm and a ready sentence let one educator hold that when eight children want her at once.
Sources: Mueller & Dweck, 1998, Journal of Personality and Social Psychology. Grissmer et al., 2010, Developmental Psychology. Harvard University Center on the Developing Child.
They started exactly where you are. The moment you pay, your first lesson is waiting for you.
Most people reading this are already good with children. That is exactly why this is worth two minutes. These are the questions that separate running an art session from teaching art.
If those landed uncomfortably, that is not a failing. Nobody trained you for any of it, in any degree or any training day. It is simply the part that never got taught, and it is the part this fixes.
This is not another folder of ideas.
It is an investment in yourself as a teacher, in the children you work with every day, and in the families who trust you with them. Once you know how, it stays with you for every group you teach.
This is not a PD day you forget by Friday. Not a folder of activity ideas. Not another craft curriculum. It is the system a real studio runs five days a week, in your ears.
A certificate of completion is included, and it can count towards your PD. It is not accredited and not mapped to the EYLF or NQS, so check with your service how it can be recorded.
Pay in full by card, Klarna or Zip, or choose 3 monthly payments above. Secure checkout by Stripe. 7-day money-back guarantee. Lifetime access, every future update included.
This licence covers the one site you name above. Pay in full by card, Klarna or Zip, or choose 3 monthly payments above. Secure checkout by Stripe. 7-day money-back guarantee. Lifetime access, every future update included. Need an invoice for your service? Ask for one here.
Both are one payment, lifetime access, for every child who ever sits at your table. For a studio that is less than three days of relief cover. For a teacher it is a single payment that covers every group you will ever teach.
$599 works out at about $11.50 a week for the first year, then nothing, ever.
If your director or educational leader approves PD, copy this note, change what you like, and send it on. The Studio licence covers every educator at your site, no cap: $1,499, about $150 each for a team of ten, or three payments.
I can send an invoice straight to your accounts team instead. Fill this in and it goes out straight away, with a secure link to pay online. Payment is due within 14 days.
Fair question, and better answered than danced around. $599 is eleven sessions at our own studio, so it is real money. Here is what it is instead of.
The Method opens on 9 October. Waitlist members get the founding price from that moment, and it stays open until 14 October. After that both tiers rise and stay there, for good.
Two of the bonuses run out before the window does. The thirty minute one to one is the first five people, not the first five days. The live session is for everyone who joins inside the window.
The Method is being recorded now. Joining is free, it holds your founding price, and we'll tell you the moment the doors open.
When the timer runs out the Method opens, and your founding price is yours for five days.
Founding access has closed. Join the list and we'll tell you the moment the next intake opens.
I co-founded my studio because I watched too many bright little children decide they weren't good at art before they turned six. They had only ever met craft.
I'm a qualified early childhood educator with fifteen years of teaching behind me, in schools first and then in my own studio, which I have run for four. I have also been the teacher sitting in her car afterwards, wondering if she was cut out for this.
Today my studio in Adelaide runs art sessions for three to six year olds five days a week, with a team of qualified early childhood educators. The Method is that exact practice, refined over hundreds of real sessions.
For two years, educators from all over the world have asked how we do it. So I'm putting the whole method in one place, and opening it to founding members at the lowest price it will ever be, for five days from launch.
Valando Demetriou
Buy the Method and run it with your own children. If your sessions aren't calmer, or you still don't know what to say when the paint comes out, reply to any email from me within 7 days and I'll refund every dollar. I'll only ask what you tried, so I can make the Method better. The five free lessons stay yours either way.
Nothing is charged today. Your three printables arrive straight away: the philosophy guide, the lesson rhythm wall print and the phrase cards. Joining also holds you founding pricing from $599 for the day the Method opens.
Those give you ideas and inspiration. They do not tell you how to run the moment: how to set the table, how to introduce a material, what to say when a child says "I can't". The Method is the how, in words you can use tomorrow morning.
Paint is still paint, and three year olds are still three. What changes is the setup, the way you introduce each material and the words you use, which are the things that decide whether a session stays with you or tips over. That is what the lessons teach, step by step.
Yes. You have 7 days from the day you buy. Run it with your children, and if it hasn't changed how your sessions go, reply to any email from me and I'll refund you in full. On a payment plan, I refund what you've paid and cancel the rest. After 7 days, sales are final. Your rights under Australian Consumer Law are not affected.
Especially you. This isn't about your art skills, it's about how you set up the moment, introduce the materials and talk to the child. We give you the exact words and steps, so you're never guessing.
Three to six. That's the window we specialise in, and the method is built specifically for how children think, move and create at this age. Older or younger siblings can usually join in, but the design is for the early years.
About an hour and a half of listening in total, and you do not do it in one sitting. Each lesson is short enough for a school run or a set-up. You do not have to finish the whole thing before you start: work through Foundations, print the lesson card, and you can run your first Method lesson this week.
Yes. Every lesson runs the same five phases, so it holds with a full room, and a new educator can run it the same way as someone who has done it for years.
It is one payment for every group you will ever teach, and it can count towards your PD. Not sure yet? The five free artist lessons let you test it with real children first, and you still have 7 days after buying to change your mind.
Almost nothing you do not already have. Paint, brushes, paper, glue, scissors, watercolour and oil pastels carry nearly the whole method. A handful of lessons use something specific, foil, ice, leaves from the garden, and each one tells you exactly what to gather. This is deliberately not a method that needs a budget, because most of the people who need it do not have one.
It is a private web page, yours through your own link, so there is no app to install and no password to lose. Play the lessons in any browser, on your phone while you set up or in the car. The printables download as PDFs you keep on your own computer. Lifetime means exactly that: one payment, no renewal, and every lesson or sheet added later appears in your account at no extra cost.
The five free artist lessons are five complete lessons, so you can try the Method with real children before you pay. The Method is the whole system: the foundations, three core modules scripted lesson by lesson, the great-artist lessons, a theme recipe that turns any topic into a new lesson, the full materials library and the printable toolkit, with lifetime updates. The free lessons show you what one session feels like. The Method teaches you to run every session that way.
If you are one educator teaching your own group, take Individual. If you are a studio, school, kindergarten or early learning centre, take Studios, schools and centres: one licence covers one site, however many educators teach there, and it adds the leadership module and the team sheets. If you run more than one site, each site needs its own licence. If you are between the two, ask yourself who else will teach it. If anyone else will, the site licence is the one that covers them.
The licence covers one site, so it does not depend on who is on. When an educator leaves, the next one uses it. One licence is for one site only: if you run more than one, each site needs its own. The print licence covers running the toolkit across your site and sending the parent sheets home to your families. It does not cover reselling the sheets or teaching the Method as your own paid training. The full terms are on the licence page.
Yes. The method is about how young children learn and how you teach, and it travels. The course is priced in Australian dollars. At today's rate $999 is roughly US$690, and your bank converts it at checkout.
Educators can count the Method towards their professional development. When every lesson is ticked off, a certificate of completion appears in your course with your name and the date, and that is your record. Log the time you spend on the lessons and readings; the recordings alone run to over an hour and a half. The Method is not accredited, it is not mapped to the EYLF or NQS, and no registration board has endorsed it, so please check with your own service or board about how it can be recorded. On the Studio tier, certificates for your team are included.
The live session is for every founding member. I will set the date once the founding window closes, so I am not asking anyone to hold an evening before they have even started, and it is recorded if you cannot be there. The one to one is thirty minutes with me, and it is the first five people only. If you are one of them I will email you to book a time that suits you. Bring your actual room and your actual children, that is what makes half an hour useful.
Because founding members get in first, before everything is polished and public, and help us shape it. In return you pay the founding price instead of the launch price, and you keep it for life.
You are ready to level up the way you teach, and to help the children you are with every single day.
While you are deciding, the weeks keep coming. Every one is another session you run on instinct and recover from, and another small deposit into a child's belief that they are not good at art. You cannot get these years back, and neither can they.
Somewhere in the next few months a child you teach is going to decide, quietly, whether they are one of the creative ones. That decision is completely teachable, and this is how you teach it.
Joining is free. Your three printables arrive this week, the Method opens on 9 October, and your founding price holds until 14 October.
Free to join · five artist lessons this week · yours to keep whether you buy or not
P.S. If you are still unsure, run one of the five free artist lessons this week. If the room settles, you will know exactly what to do next.
Founding price $599 ends in , then it is $999.
Pay by card, Klarna or Zip. Secure checkout by Stripe. 7-day money-back guarantee. Lifetime access, every future update included.
“I bought this for my studio in Perth and it has really changed our program for the better.”Bianca, studio owner and teacher, Perth
Kusama, Rothko, Kandinsky, Matisse and Goldsworthy. The set-up, the exact words to say, and ten ways to extend each one. Ready to run this week.
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